I Never Promised You a Rose Garden

Michaël de Kok & Henk Visch

 

BorzoGallery presents two artists at Art Island: Michaël de Kok (Hilvarenbeek, 1958) and Henk Visch (Eindhoven, 1950) in a joint presentation titled I Never Promised You a Rose Garden.

 

We will show previously unseen paintings by Michaël de Kok from the series 'Rose Garden'. His paintings have their origins in the rose garden behind his home. The atmosphere of a languid summer evening - the light, the warmth, the abundance of colour - is filtered through his mind and stripped of all narrative, until what remains is pure painting: deep, warm layers of pink, red and green, applied in many transparent layers of oil paint.

 

For Henk Visch, we are presenting two works, including the sculpture Anna, from 1997. Visch is one of the most singular sculptors in the Netherlands - recipient of the Wilhelmina Ring and a participant in both the Venice Biennale and Documenta IX. His works occupy the threshold between recognition and enigma: stylised human figures that seem to hesitate, to balance, to exist on the very edge of movement and stillness.

 

Find us in room 32

 

Location

Forteiland IJmuiden

Sluisplein 80

 

Opening hours

22 May  |  3 - 8 pm

23 & 24 May  |  11 am - 6 pm

Boats depart every 30 minutes

More info on art-island.nl

    • Michaël de Kok, Night Roses, 2023
      Michaël de Kok, Night Roses, 2023
    • Michaël de Kok, Rose Garden (diptych), 2022
      Michaël de Kok, Rose Garden (diptych), 2022
    • Michaël de Kok, Night Roses, 2023
      Michaël de Kok, Night Roses, 2023
  • Michaël de Kok

    In his series Rose Garden - works shown publicly for the first time at Art Island - De Kok does not paint roses. What he paints is the experience of the rose garden. Ever since 2016, De Kok has been examining to what extent he can reduce a landscape to an abstract concept: clouds, mountains, lakes, meadows, roads, buildings and flowers emerge as blocks of colours and patches of paint. Brilliant shades of colours and brush strokes that flow and swirl and thus convey a picture of mountains, valleys and rivers. The landscape is being converted into paint.

     

    Already during his studies at the Rijksakademie, Michaël began gravitating towards Belgium, towards Antwerp. There he encountered an artistic climate marked by serious engagement with painting - where masters such as Raoul de Keyser and Roger Raveel approached the medium with full conviction - and where he met Luc Tuymans. The affinity with the Flemish painting tradition - its gravity, its intimacy, its command of colour - has been a constant in his work ever since.

     

    His work is held in museums and private collections, including Noordbrabants Museum, Den Bosch, Stedelijk Museum De Lakenhal, Leiden and The New Art Gallery, Walsall.

     

    Download full resume

    Michaël de Kok
    • Michaël de Kok, Rose Garden, 2025
      Michaël de Kok, Rose Garden, 2025
    • Michaël de Kok, Rose Garden, 2026
      Michaël de Kok, Rose Garden, 2026
    • Michaël de Kok, Rose Garden, 2026
      Michaël de Kok, Rose Garden, 2026
    • Michaël de Kok, Rose Garden, 2026
      Michaël de Kok, Rose Garden, 2026
  • Michaël de Kok, Rose Garden (diptych), 2026

    Michaël de Kok

    Rose Garden (diptych), 2026
    Oil on canvas
    50 x 80 cm
  • Henk Visch
    Henk Visch

    Henk Visch was born in 1950 in Eindhoven, the city where he still partly lives and works, alternating with Berlin. Between 1968 and 1972 he studied at the Royal Academy of Art and Design in 's-Hertogenbosch, initially in the graphic arts department. After graduating, he worked primarily as a draughtsman and graphic artist. Around 1980, after moving into a studio in Eindhoven, he increasingly focused on sculpture and began exhibiting his sculptural works for the first time. His residency at PS1 in New York in 1982-1983 and the residency at Fontevraud in France in 1984 proved important for the development of his international practice.

     

    During the 1980s, Visch emerged as one of the most distinctive voices in Dutch sculpture. His often enigmatic and poetic human figures and associative installations brought him early international recognition. He represented the Netherlands at the Venice Biennale in the Dutch Pavilion in 1988 and participated in Documenta IX in 1992, one of the world's leading exhibitions of contemporary art. In 2002, he again became involved with a Documenta-related project through his participation in Lines in the Sand, the performance by Joan Jonas.

     

    Alongside his artistic practice, teaching played an important role throughout his career. He taught at the Rijksakademie van Beeldende Kunsten in Amsterdam and the Jan van Eyck Academie in Maastricht, and later served as professor at art academies in Stuttgart and Münster. Internationally, he also remained active through workshops at art academies in Beijing and Shanghai.

     

    Visch received several important awards, including the Kunstpreis der Stadt Darmstadt in 1991, the Visual Arts Prize of the Prins Bernhard Cultuurfonds Noord-Brabant in 2001, and the Jeanne Oosting Prize in 2018. In 2016, he founded Stichting HuisHenkVisch, dedicated to the preservation and presentation of his work and collection. Recognition of his oeuvre culminated in 2023 with the prestigious Wilhelminaring, confirming his significance to contemporary Dutch sculpture.

     

    Download full resume

  • Henk Visch, Anna (ntwPnng), 1997

    Henk Visch

    Anna (ntwPnng), 1997
    Aluminum
    h. 175 cm
    1 of an edition of 4
  • FOR ENQUIRIES OR FOR MORE INFORMATION,
    PLEASE EMAIL BAS@BORZO.COM